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Celtic Surveyor |
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Art
of the State
State of the Art |
As
we enter the Nineties,
the rôle of the
visual arts is in a
state of paradox. Never
has there been such
a profusion of visual
communication in the
media, and never has
its content been more
superficial and establishment/consumer
orientated. Its sum
total seems to amount
to one continuous television
advert. The marriage
of style and avarice.
In many way the society
of the spectacle foreseen
by the Situationists
in the late Sixties has
come of age. The media
and television in particular
has reduced politics,
royalty, religion, crime
and culture etc. to the
level of one continuous
soap opera. They all
share the same sordid
media bed. The push for
change and liberation
in tbe Sixties of America
and Europe has been nullified
and superseded by a right-wing
revolution. The revolution
which the youth of the
left in the late Sixties
and early Seventies thought
was their preserve, was
subverted by the right.
Greed and materialism
are the new gods, while
compassion and the spirit
are scorned. In many
respects much of the
progress made up to the
Eighties, especially
in Britain, has been
systematically curtailed
both in politics and
culture, and replaced
with right-wing legislation
and philosophy. |
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This
has resulted in the
means of communication,
information and propaganda
being in the hands of
a select few. The power élites
become more powerful
and the rest more unable
to change their lives
for the better, unless
they accept wholesale
the new doctrine of
consumerism. It is high
time the new communication
technology is liberated. |
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 (How
to become Invisible.
Jamie Reid and Margi Clarke.
Painting for stage set - 1982)
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One
manifestation of the
late Eighties is its
refusal to accept its
own real time. There
is an unreal and unhealthy
obsession with the past
and nostalgia. The Forties,
Fifties, Sixties and
Seventies pop up every
day.
Today's teenager is an unsincere mixture of all the past teen
cultures: all style and no content, pinned together like an adman's
dream. Surely a new teenage identity will emerge soon, created
by teenagers for themselves. This will reject consumption and
Americanisation and will move forward and progress Teenage -
not staying stagnated and contained by establishment adults'
idea of 'Teenage'.
All these manifestations are reflected in the role of the visual
in the last decades of the Twentieth Century. They reflect the
newconservative materialism - the rape and negation of the imagination.
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Style
Sucks |
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The
only values and standards
are those of material
success, pop charts and
media value. Visual form
is created by the manufacturer
and the distributor (the
companies); not by the
artists, performers or
consumers. The gimmick
proliferates; the superficial
and the glib titivate
the establishment media.
Censorship prevails because
there is no mass outlet
for any alternative ideas;
only those which are
accepted as the propaganda
of the status quo appear.
There has been great
advancement in the visual
possibilities of communication
through new technology,
but most lack substance
or integrity and are
used to push product
and manipulate minds;
producing passivity and
superficial satisfaction,
and negating the possibility
of people thinking for
themselves and controlling
their own lives. |

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The
rôle of the arts
is to liberate the spirit
and the imaginations;
to create a new counter
culture.
We have become enslaved by fear: fear of cancer, aids, the bomb,
isolation, failure, poverty.
If used spiritually, computers can take us a step nearer, helping
to bring back our lost senses.
Long live universal telepathy.
It almost seems that the only way to survive is to be submissive
or to join in the spectacle. The 'haves' have never had it so good;
the 'have nots' have never been more had. |
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(Unicorn
/ Chaos in Cancerland.
Jamie Reid and Margi Clarke.
Gouache. 380 x 275 mm - 1982) |
It's
time to be brave and kindle
the fires of hope for the Twenty-first
Century.
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from:
JAMIE REID
CELTIC SURVEYOR - MORE INCOMPLETE WORKS OF JAMIE REID
First published in 1989 by ASSORTED iMAGES Limited. ISBN 1-871059-01-1
Text and illustrations: ©1989, Jamie Reid. |
incomplete works...

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